How SSOUNDS Speakers Are Used in Live Productions

SSOUNDS line arrays are the backbone of large-scale live productions, providing long-throw, coherent coverage for audiences of thousands. Each enclosure is designed with advanced waveguides and neodymium transducers to ensure consistent SPL and frequency response from the front row to the back. In festival and touring settings, arrays are flown in vertical arcs, with splay angles adjusted per box to match venue geometry. SSOUNDS’ proprietary DSP presets optimize phase alignment and FIR filtering, minimizing comb filtering and delivering intelligible vocals even in challenging acoustics.

For corporate events and houses of worship, SSOUNDS line arrays can be deployed in smaller, ground-stacked configurations or flown in compact clusters. The modular rigging system allows quick deployment and precise aiming, reducing setup time while maintaining the sonic integrity expected from a premium system. Engineers appreciate the predictable coverage patterns, which simplify system tuning and reduce the need for extensive EQ correction.

SSOUNDS subwoofers are designed to deliver deep, articulate bass that complements the line arrays without muddying the mix. In live productions, subwoofers are typically arranged in cardioid or end-fire arrays to control low-frequency directivity and reduce stage wash. For festivals, ground-stacked subwoofer lines are common, while flown subs can be integrated into the main array for weight distribution and smoother coverage.

The DSP-controlled crossover and phase alignment between subs and mains ensure seamless integration. SSOUNDS subwoofers feature high-excursion drivers and vented enclosures optimized for maximum output with minimal distortion. In worship and corporate settings, compact subwoofers can be discreetly placed under stages or in corners, providing the necessary low-end reinforcement without dominating the visual aesthetic.

Point-source speakers from SSOUNDS serve critical roles as front-fills, side-fills, under-balcony delays, and nearfield reinforcement. Their controlled dispersion patterns allow precise coverage of seating areas that the main line array cannot reach. In large venues, delay rings of point-source speakers are time-aligned to the main system, ensuring that distant listeners experience the same clarity and impact as those near the stage.

For corporate productions, point-source speakers are often used as main PA in smaller rooms or as distributed systems in ballrooms. Their compact form factor and rigging options make them easy to install on stands, truss, or wall mounts. SSOUNDS’ DSP presets include specific settings for point-source applications, optimizing EQ and limiting to match the intended use.

SSOUNDS stage monitors are built to withstand the rigors of touring while providing high SPL and low distortion for foldback applications. Wedge monitors are available in various sizes, from compact two-way designs for small stages to three-way systems for large festivals. The coaxial driver arrangement in many models ensures a coherent point source, reducing feedback and improving gain-before-feedback.

For in-ear monitor (IEM) systems, SSOUNDS amplifiers and DSP can be configured to drive side-fill or drum-fill loudspeakers, providing a consistent reference for musicians. The DSP allows engineers to create custom monitor mixes with precise EQ and limiting, protecting both the speakers and the artists’ hearing. SSOUNDS monitors are also used in corporate and worship settings where clear, intelligible foldback is essential for presenters and performers.

SSOUNDS amplifiers are purpose-built to power the loudspeaker range, with class-D topologies that deliver high efficiency and low weight. Each amplifier module includes onboard DSP with factory presets for every SSOUNDS enclosure, ensuring optimal performance out of the box. The DSP handles crossover, EQ, delay, limiting, and protection, while also supporting network control via Dante, AES67, or proprietary protocols.

In live productions, system engineers use SSOUNDS’ control software to monitor amplifier status, adjust levels, and apply room EQ from a single interface. The amplifiers can be daisy-chained or networked, simplifying cable runs and reducing setup time. For large-scale events, redundant amplifier configurations ensure show continuity in case of failure. The DSP also enables advanced features like array compensation, which automatically adjusts EQ and delay for each box in a line array based on its position.

SSOUNDS systems are designed to integrate seamlessly with the wider audio, video, and lighting (AVL) ecosystem. The amplifiers accept analog, AES3, and Dante inputs, making them compatible with any digital mixing console from major manufacturers. For monitor mixing, SSOUNDS speakers can be connected to dedicated monitor consoles or used with personal mixing systems like Aviom or Behringer P16.

Time alignment between FOH and delay systems is achieved via the DSP’s delay lines, which can be synced to a master clock or GPS for large-scale outdoor events. SSOUNDS also supports remote control via third-party protocols, allowing integration with show control systems. In worship and corporate installations, the system can be integrated with room control systems for automated preset recall and volume control.

In a typical festival setup, SSOUNDS line arrays are flown on either side of the stage, with subwoofers ground-stacked in a cardioid configuration. Front-fills and side-fills cover the immediate stage area, while delay towers extend coverage to the back of the field. The entire system is tuned using SMAART or similar measurement software, with DSP adjustments made in real time.

For a corporate keynote, a compact SSOUNDS system might consist of flown point-source speakers for mains, with a few subwoofers discreetly placed. Stage monitors are used for presenters, and the system is integrated with the house mixing console and presentation audio. The DSP presets are selected for speech intelligibility, with limiting to prevent feedback.

In a house of worship, SSOUNDS systems are often installed as permanent fixtures, with line arrays flown in the sanctuary and subs integrated into the stage. The DSP allows for multiple presets — one for the sermon, one for the band, and one for special events — easily recalled via the control software or a wall panel.