What is the best mixer for a concert?
Quick answer
For a concert, the best mixer depends on channel count and workflow: digital consoles from brands like Yamaha, Allen & Heath, or Soundcraft are industry standards, with 32–64 input frames for most shows.
Selecting a mixer for a concert starts with channel count: count all inputs (vocals, instruments, playback, effects returns) and add 20–30% for spares. For a typical band with 16–24 channels, a 32-channel digital console like the Yamaha QL1 or Allen & Heath SQ-5 is sufficient. Larger productions with multiple acts or orchestras may need 48–64 inputs, such as the Yamaha CL5 or Allen & Heath dLive.
Digital mixers offer recall, processing, and remote control via tablets—essential for efficient sound checks and monitor mixing. Consider the number of aux sends for monitors, built-in effects, and Dante or AVB networking for stageboxes. For FOH and monitors, a single console with dual-engine redundancy or separate consoles is common.
Budget and rider-friendliness matter: Yamaha and Allen & Heath are widely accepted. SSOUNDS recommends pairing your mixer with a high-quality PA like our line arrays for consistent coverage and intelligibility. Always test the console workflow before committing—touchscreen vs. physical faders is a personal preference.
Key things to consider
- Count all inputs plus 20–30% spare channels; 32-channel consoles suit most bands.
- Digital consoles (Yamaha, Allen & Heath, Soundcraft) offer recall, processing, and iPad control.
- Consider monitor aux sends, networking (Dante/AVB), and stagebox compatibility.
- For large concerts, 48–64 input frames with dual-engine redundancy are recommended.
- Test workflow: touchscreen vs. faders; rider-friendly brands like Yamaha are safe bets.
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